THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 17
... satisfy , an impulse by virtue of which architecture becomes art . It is a separate instinct . Sometimes it will bor- row a suggestion from the laws of firmness or commodity ; sometimes it will run counter to them , or be offended by ...
... satisfy , an impulse by virtue of which architecture becomes art . It is a separate instinct . Sometimes it will bor- row a suggestion from the laws of firmness or commodity ; sometimes it will run counter to them , or be offended by ...
Seite 20
... satisfy them all . And , in the absence of such a principle , it is quite arbitrary to pronounce dogmatically on the concessions which art should make to science or utility . Unless it can be proved that these apparently dif- ferent ...
... satisfy them all . And , in the absence of such a principle , it is quite arbitrary to pronounce dogmatically on the concessions which art should make to science or utility . Unless it can be proved that these apparently dif- ferent ...
Seite 144
... satisfy the human test , and to have brought an enlargement of human power . Power , in fact - a heightening of the consciousness of power as well as a widening of its scope - was the Ren- aissance ideal : and Greece and Rome , almost ...
... satisfy the human test , and to have brought an enlargement of human power . Power , in fact - a heightening of the consciousness of power as well as a widening of its scope - was the Ren- aissance ideal : and Greece and Rome , almost ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius