THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 83
... relation of construc- tion to architectural beauty ; how did the Renaissance con- ceive that relation ; and how far was it justified in its conception ? Let us begin by attempting , as fairly as we may , to formu- late the ' scientific ...
... relation of construc- tion to architectural beauty ; how did the Renaissance con- ceive that relation ; and how far was it justified in its conception ? Let us begin by attempting , as fairly as we may , to formu- late the ' scientific ...
Seite 95
... relation between ponderable things , an adjustment to one another of evident forces , a grouping of material bodies ... relation to one another , but not in a fixed relation . Some structural expedients , though valid technically , are ...
... relation between ponderable things , an adjustment to one another of evident forces , a grouping of material bodies ... relation to one another , but not in a fixed relation . Some structural expedients , though valid technically , are ...
Seite 197
... Relation of the achitecture of humanism to humanism in general 179 Its relation to humanism in Greece 179 And in Rome 180 And in Italy 181 Renaissance architecture and the architecture of antiq- uity 182 Published by CHARLES SCRIBNER'S ...
... Relation of the achitecture of humanism to humanism in general 179 Its relation to humanism in Greece 179 And in Rome 180 And in Italy 181 Renaissance architecture and the architecture of antiq- uity 182 Published by CHARLES SCRIBNER'S ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius