THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 89
... realise that this has been done , there may be a certain intellectual pleasure in the coincidence . But even the Greeks ... realised that , for certain purposes in architec- ture , fact counted for everything , and that in certain others ...
... realise that this has been done , there may be a certain intellectual pleasure in the coincidence . But even the Greeks ... realised that , for certain purposes in architec- ture , fact counted for everything , and that in certain others ...
Seite 152
... realised as a positive force that was natural , necessary , and alive . The Renaissance architects deviated from the canon whenever their instinctive taste prompted them to do so ; they re- turned to the canon whenever they felt that ...
... realised as a positive force that was natural , necessary , and alive . The Renaissance architects deviated from the canon whenever their instinctive taste prompted them to do so ; they re- turned to the canon whenever they felt that ...
Seite 155
... realised that ' proportion ' is a form of beauty : it was realised that ' proportion ' is a mode of mathematics . But it was not real- ised that the word has a different bearing in the two cases . Criticism is not called upon to invent ...
... realised that ' proportion ' is a form of beauty : it was realised that ' proportion ' is a mode of mathematics . But it was not real- ised that the word has a different bearing in the two cases . Criticism is not called upon to invent ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius