THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 18
Seite 70
... qualities which constitute the picturesque - qualities which have always been recognised as possessing a value in the visual arts . And one cause of offence in Renaissance architecture is precisely its lack of this picturesqueness of ...
... qualities which constitute the picturesque - qualities which have always been recognised as possessing a value in the visual arts . And one cause of offence in Renaissance architecture is precisely its lack of this picturesqueness of ...
Seite 120
... qualities which are appropriate , above all others , in a monumental art ; qualities , therefore , which we have a right to expect in architecture . Here , then , is some justification for the theory that the degree of pre- tence is ...
... qualities which are appropriate , above all others , in a monumental art ; qualities , therefore , which we have a right to expect in architecture . Here , then , is some justification for the theory that the degree of pre- tence is ...
Seite 125
... qualities in architecture which require a gift for their understanding and a trained gift for their under- standing aright : qualities in which men were not ' intended without excessive difficulty to know good things from bad , ' and by ...
... qualities in architecture which require a gift for their understanding and a trained gift for their under- standing aright : qualities in which men were not ' intended without excessive difficulty to know good things from bad , ' and by ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius