THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 67
... prejudice against the ' foul torrent of the Renaissance ' than he effected either by detailed reasoning or general abuse . In the face of all this poetry and rhetoric , in the face of all the sermons that were eloquent in stones , it is ...
... prejudice against the ' foul torrent of the Renaissance ' than he effected either by detailed reasoning or general abuse . In the face of all this poetry and rhetoric , in the face of all the sermons that were eloquent in stones , it is ...
Seite 106
... prejudices an amaz- ing body of inspired support . But it is easy to see that an equal expenditure of ingenuity might have produced as many oracles in defence of Palladio as it showed grounds for his perdition ... prejudice , and more 106.
... prejudices an amaz- ing body of inspired support . But it is easy to see that an equal expenditure of ingenuity might have produced as many oracles in defence of Palladio as it showed grounds for his perdition ... prejudice , and more 106.
Seite 190
... prejudice against ' mere taste ' How far ought architectural style to be independent of racial , social , and mechanical conditions ? Before we can fairly answer this question we need to be 355 25 25 w w w ~ ~ ~ 27 27 28 33 36 37 38 ...
... prejudice against ' mere taste ' How far ought architectural style to be independent of racial , social , and mechanical conditions ? Before we can fairly answer this question we need to be 355 25 25 w w w ~ ~ ~ 27 27 28 33 36 37 38 ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius