THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
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Seite 18
... practical use or by the moral impulse of its builders . This medley of elements , diverse and uncommensurated as they are , can furnish no general estimate or true com- parison of style . Doubtless , as a matter of history ...
... practical use or by the moral impulse of its builders . This medley of elements , diverse and uncommensurated as they are , can furnish no general estimate or true com- parison of style . Doubtless , as a matter of history ...
Seite 90
... practical requirements of a Gothic cathedral . But the moment mediæval building , of which the scientific criticism thinks so highly , attempted to enlarge its scope , it was compelled to sacrifice general design to practical con ...
... practical requirements of a Gothic cathedral . But the moment mediæval building , of which the scientific criticism thinks so highly , attempted to enlarge its scope , it was compelled to sacrifice general design to practical con ...
Seite 190
... practical standard ; commodity Its æsthetic standard ; delight Limitations of Historical Criticism Limitations of a priori criticism ; its false simplification of the problem PAGE 15 15 16 17 18 Conflict of values thus involved 250 19 ...
... practical standard ; commodity Its æsthetic standard ; delight Limitations of Historical Criticism Limitations of a priori criticism ; its false simplification of the problem PAGE 15 15 16 17 18 Conflict of values thus involved 250 19 ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius