THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 22
Seite 169
... physical consciousness . We adapt ourselves instinctively to the spaces in which we stand , project ourselves into them , fill them ideally with our movements . Let us take the simplest of instances . When we enter the end of a nave and ...
... physical consciousness . We adapt ourselves instinctively to the spaces in which we stand , project ourselves into them , fill them ideally with our movements . Let us take the simplest of instances . When we enter the end of a nave and ...
Seite 171
... physical firmness and security is not less fundamental to our nature than that instinctive need for expansion which gives value to architectural space . Any unlooked - for failure of resistance in tangible objects defeats the vital ...
... physical firmness and security is not less fundamental to our nature than that instinctive need for expansion which gives value to architectural space . Any unlooked - for failure of resistance in tangible objects defeats the vital ...
Seite 196
... physical sensation 158 But implies a process of mental self - identification with 158 the apparent physical state of the object , and a sym- pathetic activity of the physical memory 158 Answer to certain possible objections to this view ...
... physical sensation 158 But implies a process of mental self - identification with 158 the apparent physical state of the object , and a sym- pathetic activity of the physical memory 158 Answer to certain possible objections to this view ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius