THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 101
... moral , the language of art , reflecting them , was rife with ethical distinctions . The styles of architecture came to symbolise those states of human character in the crafts- man , the patron or the public which they could be argued ...
... moral , the language of art , reflecting them , was rife with ethical distinctions . The styles of architecture came to symbolise those states of human character in the crafts- man , the patron or the public which they could be argued ...
Seite 123
... moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been the favourite retort , and this ...
... moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been the favourite retort , and this ...
Seite 124
... moral interest for their art , and were fond of arguing that it involved , and required , a veritable rule of life ... moral ; or , rather , the nobility which in life we call ' moral ' is itself æsthetic . But since it interests us in ...
... moral interest for their art , and were fond of arguing that it involved , and required , a veritable rule of life ... moral ; or , rather , the nobility which in life we call ' moral ' is itself æsthetic . But since it interests us in ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius