THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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... modern . He knew , as so many have since forgotten , that it rep- resents the main stream of Western art . From the van- tage of the Italian scene Scott became aware that the stream had been muddied by such men as the Gothic Revivalist ...
... modern . He knew , as so many have since forgotten , that it rep- resents the main stream of Western art . From the van- tage of the Italian scene Scott became aware that the stream had been muddied by such men as the Gothic Revivalist ...
Seite 77
... modern taste for pic- turesqueness - as the old painters suffice to prove - brought with it nothing that was new . Nature , and man's work , is full of a picturesque beauty that has never passed unno- ticed . But the aesthetic content ...
... modern taste for pic- turesqueness - as the old painters suffice to prove - brought with it nothing that was new . Nature , and man's work , is full of a picturesque beauty that has never passed unno- ticed . But the aesthetic content ...
Seite 153
... modern cult of ' purity ' and ' cor- rectness ' in style reposes on the same presumption . ' By a " mistake , " wrote Serlio , ' I mean to do contrary to the precepts of Vitruvius . ' This happens now to sound absurd enough . But it is ...
... modern cult of ' purity ' and ' cor- rectness ' in style reposes on the same presumption . ' By a " mistake , " wrote Serlio , ' I mean to do contrary to the precepts of Vitruvius . ' This happens now to sound absurd enough . But it is ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius