THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 156
... minds , but to explain the preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and ... mind . EIGHT Humanist Values I Architecture , simply and immediately perceived 156.
... minds , but to explain the preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and ... mind . EIGHT Humanist Values I Architecture , simply and immediately perceived 156.
Seite 174
... mind . And the pattern of the mind , no less than the body's humour , may be reflected in the concrete world . Order in architecture means the presence of fixed relations in the position , the character and the magnitude of its parts ...
... mind . And the pattern of the mind , no less than the body's humour , may be reflected in the concrete world . Order in architecture means the presence of fixed relations in the position , the character and the magnitude of its parts ...
Seite 176
... mind must travel together ; thought and vision move at one pace and in step . Any breach in con- tinuity , whether of mood or scale , breaks in upon this easy unison and throws us back from the humanised world to the chaotic . The ...
... mind must travel together ; thought and vision move at one pace and in step . Any breach in con- tinuity , whether of mood or scale , breaks in upon this easy unison and throws us back from the humanised world to the chaotic . The ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius