THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 19
... logic . But they fail to explain why the styles of architecture which they find it necessary to condemn have in fact ... logic , but delight . The theory of architecture , then , requires logic ; but it requires , not less , an ...
... logic . But they fail to explain why the styles of architecture which they find it necessary to condemn have in fact ... logic , but delight . The theory of architecture , then , requires logic ; but it requires , not less , an ...
Seite 74
Geoffrey Scott. chitecture is always logical : it is logical as an æsthetic construction , even where it most neglects the logic of material construction . It insisted on coherent purpose , and its greatest extravagances of design were ...
Geoffrey Scott. chitecture is always logical : it is logical as an æsthetic construction , even where it most neglects the logic of material construction . It insisted on coherent purpose , and its greatest extravagances of design were ...
Seite 145
... logic , consistency , or justifica- tion beyond that of giving pleasure . In this , clearly , it follows the natural ... logic of the lintel , Gothic the logic of the vault . The restrictions which these constructive principles imposed ...
... logic , consistency , or justifica- tion beyond that of giving pleasure . In this , clearly , it follows the natural ... logic of the lintel , Gothic the logic of the vault . The restrictions which these constructive principles imposed ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius