THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 16
... laws . Without these , architecture is impossible , its history unintelligible . And if , finding these everywhere paramount , we seek , in terms of material prop- erties and material laws , not merely to account for the his- tory of ...
... laws . Without these , architecture is impossible , its history unintelligible . And if , finding these everywhere paramount , we seek , in terms of material prop- erties and material laws , not merely to account for the his- tory of ...
Seite 95
... laws purely , in the second to psychological laws . This dou- ble function , or double significance , of structure is the cause of our confusion . For the æsthetic efficacy of struc- ture does not develop or vary pari passu with ...
... laws purely , in the second to psychological laws . This dou- ble function , or double significance , of structure is the cause of our confusion . For the æsthetic efficacy of struc- ture does not develop or vary pari passu with ...
Seite 178
... laws the finest masters of the Renaissance , however various their impulse and achievement , did not deviate ... laws— tentative , at first , but still appropriate - of that third ' con- dition of well - building , ' its ' delight . ' To ...
... laws the finest masters of the Renaissance , however various their impulse and achievement , did not deviate ... laws— tentative , at first , but still appropriate - of that third ' con- dition of well - building , ' its ' delight . ' To ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius