THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
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Seite 29
... influence of patronage on art is easily mis - stated . Art may be brought to the service of the state and its rulers ; but the most that rulers can do towards determining the essence of an art is to impose upon it a distinctively ...
... influence of patronage on art is easily mis - stated . Art may be brought to the service of the state and its rulers ; but the most that rulers can do towards determining the essence of an art is to impose upon it a distinctively ...
Seite 146
... influence of literature depends on its prestige and its accessibility . The sparse and jealously guarded manuscripts of earlier days gave literature an almost magical prestige , but af- forded no accessibility ; the cheap diffusion of ...
... influence of literature depends on its prestige and its accessibility . The sparse and jealously guarded manuscripts of earlier days gave literature an almost magical prestige , but af- forded no accessibility ; the cheap diffusion of ...
Seite 150
... influence of painting , the academic code gave not a barren uniformity but a point of leverage , and a general unity of aim . If some needless pilasters and arid palaces were at times the consequence , the price was not too high to pay ...
... influence of painting , the academic code gave not a barren uniformity but a point of leverage , and a general unity of aim . If some needless pilasters and arid palaces were at times the consequence , the price was not too high to pay ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius