THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 10
Seite 134
... imitation ' of the maturer world , expressed with un- skilled thoughts and undeveloped powers . But the ' imma- turity ' of the Renaissance was rich with the accumulated skill of the medieval crafts : it was in some 134.
... imitation ' of the maturer world , expressed with un- skilled thoughts and undeveloped powers . But the ' imma- turity ' of the Renaissance was rich with the accumulated skill of the medieval crafts : it was in some 134.
Seite 174
... imitation of what we see , their seeming fitness becomes our real delight . But besides these favourable physical states , our instinct craves for order , since order is the pattern of the human mind . And the pattern of the mind , no ...
... imitation of what we see , their seeming fitness becomes our real delight . But besides these favourable physical states , our instinct craves for order , since order is the pattern of the human mind . And the pattern of the mind , no ...
Seite 195
... imitation 141 Sometimes of inexact or insufficient imitation 142 Different ways of understanding ' imitation . ' Brunelleschi , Bramante , Sixtus v . , the eighteenth century , the Em- pire 143 Humanism , and the cult of power 144 Its ...
... imitation 141 Sometimes of inexact or insufficient imitation 142 Different ways of understanding ' imitation . ' Brunelleschi , Bramante , Sixtus v . , the eighteenth century , the Em- pire 143 Humanism , and the cult of power 144 Its ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius