THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 15
... Delight . ' From this phrase of an English humanist1 a theory of architecture might take its start . Architecture is a focus where three separate pur- poses have converged . They are blended in a single method ; they are fulfilled in a ...
... Delight . ' From this phrase of an English humanist1 a theory of architecture might take its start . Architecture is a focus where three separate pur- poses have converged . They are blended in a single method ; they are fulfilled in a ...
Seite 56
... delight us because , in them , the sense is heightened ; and formal rhyme , by linking one phrase with another , adds a further intricacy of suggestion . But the merely formal , merely sensuous values of poetry are fully experienced ...
... delight us because , in them , the sense is heightened ; and formal rhyme , by linking one phrase with another , adds a further intricacy of suggestion . But the merely formal , merely sensuous values of poetry are fully experienced ...
Seite 178
... delight . ' To combine these ' laws of delight ' with the demands of ' firmness ' and ' com- modity ' is a further problem : in fact the practical problem of the architect . To trace how this union has been achieved , and by what ...
... delight . ' To combine these ' laws of delight ' with the demands of ' firmness ' and ' com- modity ' is a further problem : in fact the practical problem of the architect . To trace how this union has been achieved , and by what ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius