THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 28
Seite 57
... conscious force , has brought with it much that is val- uable , and holds the imagination of the age with an em- phatic and pervasive control . But the danger is great lest a spirit which has rendered intelligible so many ancient and ...
... conscious force , has brought with it much that is val- uable , and holds the imagination of the age with an em- phatic and pervasive control . But the danger is great lest a spirit which has rendered intelligible so many ancient and ...
Seite 154
... conscious at- tempt that has been made to realise beauty as a form of intellectual order . Indeed , it is often stated that the beauty of classic ar- chitecture resides in Order . And Order , upon analysis , is found to consist in ...
... conscious at- tempt that has been made to realise beauty as a form of intellectual order . Indeed , it is often stated that the beauty of classic ar- chitecture resides in Order . And Order , upon analysis , is found to consist in ...
Seite 185
... consciously , as a direct and simple intuition , which has its ground in that subconscious region where our physical ... consciousness , and rises to consciousness simply as ' pleasure , ' so the training of the creative faculty will not ...
... consciously , as a direct and simple intuition , which has its ground in that subconscious region where our physical ... consciousness , and rises to consciousness simply as ' pleasure , ' so the training of the creative faculty will not ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius