THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 18
... confused and partly fortuitous phe- nomenon which architecture actually is , and estimates the phenomenon by a method as confused and fortuitous as itself . It passes in and out of the three provinces of thought , and relates its ...
... confused and partly fortuitous phe- nomenon which architecture actually is , and estimates the phenomenon by a method as confused and fortuitous as itself . It passes in and out of the three provinces of thought , and relates its ...
Seite 23
... confuse our actual experience at the source . To trace the full measure of that confusion , and if pos- sible to correct it , is therefore the first object of this book . We enter a limbo of dead but still haunting controversies , of ...
... confuse our actual experience at the source . To trace the full measure of that confusion , and if pos- sible to correct it , is therefore the first object of this book . We enter a limbo of dead but still haunting controversies , of ...
Seite 95
... confused . Structure , in one sense , is the scientific method of ' well - building . ' Its aim is ' firmness ... confusion . For the æsthetic efficacy of struc- ture does not develop or vary pari passu with structural technique . They ...
... confused . Structure , in one sense , is the scientific method of ' well - building . ' Its aim is ' firmness ... confusion . For the æsthetic efficacy of struc- ture does not develop or vary pari passu with structural technique . They ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius