THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 28
... classic style . Indeed , it seems evident that mediæval art could exercise but a temporary dominion among peoples who , however little of the authentic Roman strain they might legitimately boast , yet by the origin of their culture ...
... classic style . Indeed , it seems evident that mediæval art could exercise but a temporary dominion among peoples who , however little of the authentic Roman strain they might legitimately boast , yet by the origin of their culture ...
Seite 144
... classic control is disguised beneath the variety of the forms which mani- fest it . In what did it consist ? I The return to classic style in building forms part of the general movement of Renaissance Hu- manism - a phase of culture ...
... classic control is disguised beneath the variety of the forms which mani- fest it . In what did it consist ? I The return to classic style in building forms part of the general movement of Renaissance Hu- manism - a phase of culture ...
Seite 154
... classic architecture . What more natural , then , than to say that architectural beauty - the beauty of classic architec- ture , at any rate - consists in Order ? What higher or more perfect beauty , Plato asked , can exist , than ...
... classic architecture . What more natural , then , than to say that architectural beauty - the beauty of classic architec- ture , at any rate - consists in Order ? What higher or more perfect beauty , Plato asked , can exist , than ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius