THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 16
Seite 73
... music to the earlier . It enlarged the classic formula by developing within it the principle of movement . But the movement is logical . For baroque ar- chitecture is always logical : it is logical as an THE ROMANTIC FALLACY 73.
... music to the earlier . It enlarged the classic formula by developing within it the principle of movement . But the movement is logical . For baroque ar- chitecture is always logical : it is logical as an THE ROMANTIC FALLACY 73.
Seite 143
... chitecture all grace and lightness and charm ; slight in the projection of its mouldings , slight in the body of its shafts , and wreathed with slender ornament : a style not rigid or of too strict a rule , seldom massive , and then ...
... chitecture all grace and lightness and charm ; slight in the projection of its mouldings , slight in the body of its shafts , and wreathed with slender ornament : a style not rigid or of too strict a rule , seldom massive , and then ...
Seite 154
... chitecture resides in Order . And Order , upon analysis , is found to consist in correspondence , iteration , and the pres- ence of fixed ratios between the parts . Ratio , identity , and correspondence form part of the necessary web ...
... chitecture resides in Order . And Order , upon analysis , is found to consist in correspondence , iteration , and the pres- ence of fixed ratios between the parts . Ratio , identity , and correspondence form part of the necessary web ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius