THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 65
Seite 86
... build- ing have much of the second and little of the first — and this , many will say , is the case of Renaissance architecture -where shall we place it , what value may we put upon it , and how shall we compare it with a building , let ...
... build- ing have much of the second and little of the first — and this , many will say , is the case of Renaissance architecture -where shall we place it , what value may we put upon it , and how shall we compare it with a building , let ...
Seite 158
... building raised ( apparently ) on a glass shop - front does not cause us to collapse . There is instability — or the appearance of it ; but it is in the building . There is discomfort , but it is in ourselves . What then has occurred ...
... building raised ( apparently ) on a glass shop - front does not cause us to collapse . There is instability — or the appearance of it ; but it is in the building . There is discomfort , but it is in ourselves . What then has occurred ...
Seite 173
... building , and forcing it as a single impres- sion on the eye . Secondly , the disposition of the whole must conform ... building should be kept in proper ' scale . ' Scale , in any design , is that relation of ornament ( or minor ...
... building , and forcing it as a single impres- sion on the eye . Secondly , the disposition of the whole must conform ... building should be kept in proper ' scale . ' Scale , in any design , is that relation of ornament ( or minor ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius