THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
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Seite 30
... artistic temperament within the spell of Rome , gave architecture , in perfect combination , the focus and the liberty , the varied impulse and the renewed vitality necessary for mak- ing a great imaginative experiment under the ...
... artistic temperament within the spell of Rome , gave architecture , in perfect combination , the focus and the liberty , the varied impulse and the renewed vitality necessary for mak- ing a great imaginative experiment under the ...
Seite 32
... artistic uses that this wealth , this power , and these opportunities , were devoted , and to artistic uses of a particular kind . Rich and flourishing societies have not seldom grown up , and are growing up in our own time , without ...
... artistic uses that this wealth , this power , and these opportunities , were devoted , and to artistic uses of a particular kind . Rich and flourishing societies have not seldom grown up , and are growing up in our own time , without ...
Seite 34
... artistic point of view . The suggestive point about its use is that the element on which , in real fact , the stability of the construction de- pended was ignored , frankly and courageously , in the æsthetic design . The eye was ...
... artistic point of view . The suggestive point about its use is that the element on which , in real fact , the stability of the construction de- pended was ignored , frankly and courageously , in the æsthetic design . The eye was ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius