THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 12
Seite 27
... antique styles of the East , compare it with the monumental immobility which for eighteen centuries was maintained in the architectural tradition of Egypt , and it might pass for an energy disquieted and frivolous . Yet , at every ...
... antique styles of the East , compare it with the monumental immobility which for eighteen centuries was maintained in the architectural tradition of Egypt , and it might pass for an energy disquieted and frivolous . Yet , at every ...
Seite 91
... antique . And this they did by basing their art frankly on the facts of perception . They appealed , in fact , from abstract logic to psychology . A similar defence may be entered for the Renaissance practice of combining the arch with ...
... antique . And this they did by basing their art frankly on the facts of perception . They appealed , in fact , from abstract logic to psychology . A similar defence may be entered for the Renaissance practice of combining the arch with ...
Seite 143
... antique ; in result , it produced a style of rare originality . The ' seeker for buried treasure , ' as the Ro- mans called him , seeing him day after day bent eagerly among their ruins , returned to Florence to institute an ar ...
... antique ; in result , it produced a style of rare originality . The ' seeker for buried treasure , ' as the Ro- mans called him , seeing him day after day bent eagerly among their ruins , returned to Florence to institute an ar ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius