THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 150
... academic formula would not produce sterility . To the energy of Italian architecture , distracted as it was by insistent individualities , made restless with the rapid change of life , split by local traditions and infected always by ...
... academic formula would not produce sterility . To the energy of Italian architecture , distracted as it was by insistent individualities , made restless with the rapid change of life , split by local traditions and infected always by ...
Seite 152
... academic , as were the shams of archæ- ology three hundred years later . That Renaissance architecture was built up around an academic tradition - that it was , in a measure , imitative- will not , if we understand aright the historical ...
... academic , as were the shams of archæ- ology three hundred years later . That Renaissance architecture was built up around an academic tradition - that it was , in a measure , imitative- will not , if we understand aright the historical ...
Seite 153
Geoffrey Scott. academic tradition ensured that the standard of taste was jealously guarded and critically maintained . IV An academic tradition , allied , as it was in the Renaissance , to a living sense of art , is fruitful ; but the ...
Geoffrey Scott. academic tradition ensured that the standard of taste was jealously guarded and critically maintained . IV An academic tradition , allied , as it was in the Renaissance , to a living sense of art , is fruitful ; but the ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius