THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 53
... Romantic fallacy there is a fundamental opposition : and that opposition lies in their attitude to detail . For antiquarian criticism regards detail as the supreme consideration and Renaissance architecture regards it ... ROMANTIC FALLACY 53.
... Romantic fallacy there is a fundamental opposition : and that opposition lies in their attitude to detail . For antiquarian criticism regards detail as the supreme consideration and Renaissance architecture regards it ... ROMANTIC FALLACY 53.
Seite 60
Geoffrey Scott. THREE The Romantic Fallacy ( continued ) Naturalism and the Picturesque I Romanticism has another aspect . We have seen that it allows the poetic interest of distant civilisa- tion to supplant the æsthetic interest of ...
Geoffrey Scott. THREE The Romantic Fallacy ( continued ) Naturalism and the Picturesque I Romanticism has another aspect . We have seen that it allows the poetic interest of distant civilisa- tion to supplant the æsthetic interest of ...
Seite 65
... is the case with the conscious architec- ture of romance . Sharply concrete , divested of the charm of age , it lacks alike the material beauty and the imagina- tive spell . The formal basis is lacking which alone THE ROMANTIC FALLACY 65.
... is the case with the conscious architec- ture of romance . Sharply concrete , divested of the charm of age , it lacks alike the material beauty and the imagina- tive spell . The formal basis is lacking which alone THE ROMANTIC FALLACY 65.
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius