THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 48
... Renaissance style was finally and fatally impaired . In obedience to the cult of ' ideal ' severity it cut down too ... style was consummated , and poverty of execution completed what poverty of design had begun . The antique , which ...
... Renaissance style was finally and fatally impaired . In obedience to the cult of ' ideal ' severity it cut down too ... style was consummated , and poverty of execution completed what poverty of design had begun . The antique , which ...
Seite 54
Geoffrey Scott. ment . The understanding of Renaissance architecture suffered from this , and still suffers , both by neglect , and by misinterpretation . It was inevitable that Romantic criticism should neglect the Renaissance style ...
Geoffrey Scott. ment . The understanding of Renaissance architecture suffered from this , and still suffers , both by neglect , and by misinterpretation . It was inevitable that Romantic criticism should neglect the Renaissance style ...
Seite 131
... Renaissance ar- chitecture fits ill into the evolutionary scheme , it is on every side upbraided . Because its will ... style which fits them so ill and illustrates them so little . But it suffers also by misinterpretation , for that slight ...
... Renaissance ar- chitecture fits ill into the evolutionary scheme , it is on every side upbraided . Because its will ... style which fits them so ill and illustrates them so little . But it suffers also by misinterpretation , for that slight ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius