THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 47
... Greek feeling could be fused with the existing art , the Greek forms grafted on to , or extricated from , the living tradition . Just as it had required no impossible change to impart a Chi- nese turn to the gay Renaissance style of ...
... Greek feeling could be fused with the existing art , the Greek forms grafted on to , or extricated from , the living tradition . Just as it had required no impossible change to impart a Chi- nese turn to the gay Renaissance style of ...
Seite 84
... Greek and mediæval architecture is a fair one ; admitting , also , the Greek pre - eminence in taste , and the acknowledged beauty of the Gothic , the argument from these is clearly not , in itself , an adequate condemnation of a ...
... Greek and mediæval architecture is a fair one ; admitting , also , the Greek pre - eminence in taste , and the acknowledged beauty of the Gothic , the argument from these is clearly not , in itself , an adequate condemnation of a ...
Seite 85
... Greek detail , though of constructional origin , is expressive of the devices of build- ing in wood ; reproduced in stone , it untruthfully repre- sents the structural facts of the case . And if by ' truthfully expressed construction ...
... Greek detail , though of constructional origin , is expressive of the devices of build- ing in wood ; reproduced in stone , it untruthfully repre- sents the structural facts of the case . And if by ' truthfully expressed construction ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius