THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 4
... humanism has been wholly rejected by today's architects . Yet Scott , going beyond the immediate presence of the human body , pursues the role of our physical response to more abstract humanist values , those of mass , space , and line ...
... humanism has been wholly rejected by today's architects . Yet Scott , going beyond the immediate presence of the human body , pursues the role of our physical response to more abstract humanist values , those of mass , space , and line ...
Seite 159
... architecture is , in fact , un- consciously invested by us with human movement and human moods . Here , then , is a principle complementary to the one just stated . We transcribe architecture into terms of ourselves . This is the humanism ...
... architecture is , in fact , un- consciously invested by us with human movement and human moods . Here , then , is a principle complementary to the one just stated . We transcribe architecture into terms of ourselves . This is the humanism ...
Seite 197
... humanism to humanism in general 179 Its relation to humanism in Greece 179 And in Rome 180 And in Italy 181 Renaissance architecture and the architecture of antiq- uity 182 Published by CHARLES SCRIBNER'S SONS NEW YORK THE Scribner ...
... humanism to humanism in general 179 Its relation to humanism in Greece 179 And in Rome 180 And in Italy 181 Renaissance architecture and the architecture of antiq- uity 182 Published by CHARLES SCRIBNER'S SONS NEW YORK THE Scribner ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius