The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 61
... ture , through poetry , acquired its prestige , the formal garden stood condemned . Unpleasing in itself , because ' unnatural , ' it was in addition a barbarous violence , a ruth- less vandalism upon pools and trees . It was an offence ...
... ture , through poetry , acquired its prestige , the formal garden stood condemned . Unpleasing in itself , because ' unnatural , ' it was in addition a barbarous violence , a ruth- less vandalism upon pools and trees . It was an offence ...
Seite 150
... ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were a mere travesty of the foreign . The ...
... ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were a mere travesty of the foreign . The ...
Seite 194
... ture ; Ruskin Relation of the ethical criticism to the romantic and to the mechanical Nineteenth - century Puritanism contrasted with that of the seventeenth century in its relation to art Sectarian bias ; theological æsthetics The ...
... ture ; Ruskin Relation of the ethical criticism to the romantic and to the mechanical Nineteenth - century Puritanism contrasted with that of the seventeenth century in its relation to art Sectarian bias ; theological æsthetics The ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole