The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 36
Seite 60
... poetic interest of distant civilisa- tion to supplant the æsthetic interest of form . But the romantic impulse is not ... poetry , Nature's unconsidered variety became the very type and criterion of beauty , and men were led by an ...
... poetic interest of distant civilisa- tion to supplant the æsthetic interest of form . But the romantic impulse is not ... poetry , Nature's unconsidered variety became the very type and criterion of beauty , and men were led by an ...
Seite 63
... poetry of Nature , and declares the Renaissance style to be weary and contemptible pomp , while it endows its own incompetence with the natural ' dignity ' of the fields and woods . Two duties , then , were required of architecture when ...
... poetry of Nature , and declares the Renaissance style to be weary and contemptible pomp , while it endows its own incompetence with the natural ' dignity ' of the fields and woods . Two duties , then , were required of architecture when ...
Seite 101
... poetic pre- dilection , for the standards of poetry and of architecture are separate in their provinces and equal in their authority . But , prima facie , it is not in the same sense unreasonable to condemn an architectural purpose ...
... poetic pre- dilection , for the standards of poetry and of architecture are separate in their provinces and equal in their authority . But , prima facie , it is not in the same sense unreasonable to condemn an architectural purpose ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole