The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 172
... mass , gives to solid forms this human adequacy , and satisfies a vital instinct in ourselves . It exacts this ... mass in all these particulars . The sweeping movement sug- gested by the continuous horizontal curve of the Grand Canal is ...
... mass , gives to solid forms this human adequacy , and satisfies a vital instinct in ourselves . It exacts this ... mass in all these particulars . The sweeping movement sug- gested by the continuous horizontal curve of the Grand Canal is ...
Seite 173
... mass in such a way as to detract from its apparent unity . This , for example , is the ground of the Renaissance in- sistence upon crowning cornices and other devices for tying the elements of a building , and forcing it as a single ...
... mass in such a way as to detract from its apparent unity . This , for example , is the ground of the Renaissance in- sistence upon crowning cornices and other devices for tying the elements of a building , and forcing it as a single ...
Seite 175
... mass and space and line are at any point intended to convey . Thus , in making the masses , spaces , and lines of architecture respond to our ideal movement and ideal stability , a measure of symmetry and balance are constantly entailed ...
... mass and space and line are at any point intended to convey . Thus , in making the masses , spaces , and lines of architecture respond to our ideal movement and ideal stability , a measure of symmetry and balance are constantly entailed ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole