The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 91
... fact , weak . Michael An- gelo was forced to rely upon a great chain to hold it in its place , and to this his successors added five great chains more . Had he adhered , as his modern critics would desire , to the Byzantine type of dome ...
... fact , weak . Michael An- gelo was forced to rely upon a great chain to hold it in its place , and to this his successors added five great chains more . Had he adhered , as his modern critics would desire , to the Byzantine type of dome ...
Seite 92
... fact wher- ever they occur . And , if the Renaissance architects , on their side , sometimes introduced a decorative order where on purely æsthetic considerations the wall would have been better as an undivided surface , or if they ...
... fact wher- ever they occur . And , if the Renaissance architects , on their side , sometimes introduced a decorative order where on purely æsthetic considerations the wall would have been better as an undivided surface , or if they ...
Seite 138
... fact and as a point of history , mark the dissolution of Renaissance architecture . It had no future ; it linked itself to no results . But this might well be accounted for on purely social grounds . A change of patronage in the arts ...
... fact and as a point of history , mark the dissolution of Renaissance architecture . It had no future ; it linked itself to no results . But this might well be accounted for on purely social grounds . A change of patronage in the arts ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole