The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 83
Seite 53
... architecture and the antiquarian criticism of the Romantic fallacy there is a fundamental opposition : and that opposition lies in their attitude to detail . For antiquarian criticism regards detail as the supreme consideration and ...
... architecture and the antiquarian criticism of the Romantic fallacy there is a fundamental opposition : and that opposition lies in their attitude to detail . For antiquarian criticism regards detail as the supreme consideration and ...
Seite 101
... Architecture had become a mirror to literary preferences and literary ... architecture came to symbolise those states of human character in the crafts- man ... criticism is a form of the ro- mantic . The moral appeal becomes imaginative ...
... Architecture had become a mirror to literary preferences and literary ... architecture came to symbolise those states of human character in the crafts- man ... criticism is a form of the ro- mantic . The moral appeal becomes imaginative ...
Seite 123
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been ...
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole