The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 28
... classic style . Indeed , ff it seems evident that medieval art could exercise but a temporary dominion among peoples who , however little of the authentic Roman strain they might legitimately boast , yet by the origin of their culture ...
... classic style . Indeed , ff it seems evident that medieval art could exercise but a temporary dominion among peoples who , however little of the authentic Roman strain they might legitimately boast , yet by the origin of their culture ...
Seite 142
... classic styles themselves , fitly and with originality , suited the ancient state . " There is not perhaps a single building of any architectural pretension erected in Europe since the Reformation . . . which is not more or less a copy ...
... classic styles themselves , fitly and with originality , suited the ancient state . " There is not perhaps a single building of any architectural pretension erected in Europe since the Reformation . . . which is not more or less a copy ...
Seite 181
... classic equipoise and calm . It has learned the speech of architecture from Greece and Rome , but the Renaissance itself will choose what things that speech will say . Every value , every avenue of promise , it will explore , enjoy , ex ...
... classic equipoise and calm . It has learned the speech of architecture from Greece and Rome , but the Renaissance itself will choose what things that speech will say . Every value , every avenue of promise , it will explore , enjoy , ex ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole