The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 86
... build- ing have much of the second and little of the first - and this , many will say , is the case of Renaissance architecture -where shall we place it , what value may we put upon it , and how shall we compare it with a building , let ...
... build- ing have much of the second and little of the first - and this , many will say , is the case of Renaissance architecture -where shall we place it , what value may we put upon it , and how shall we compare it with a building , let ...
Seite 158
... building raised ( apparently ) on a glass shop - front does not cause us to collapse . There is instability — or the appearance of it ; but it is in the building . There is discomfort , but it is in ourselves . What then has occurred ...
... building raised ( apparently ) on a glass shop - front does not cause us to collapse . There is instability — or the appearance of it ; but it is in the building . There is discomfort , but it is in ourselves . What then has occurred ...
Seite 173
... building , and forcing it as a single impres- sion on the eye . Secondly , the disposition of the whole must conform ... building should be kept in proper ' scale . ' Scale , in any design , is that relation of ornament ( or minor ...
... building , and forcing it as a single impres- sion on the eye . Secondly , the disposition of the whole must conform ... building should be kept in proper ' scale . ' Scale , in any design , is that relation of ornament ( or minor ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole