The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 34
... builders . But what in mediæval construction had been an exceptional remedy , was accepted by the Ren- aissance builders as an obvious and legitimate resource . There was nothing novel in the expedient . Its frequent recurrence ...
... builders . But what in mediæval construction had been an exceptional remedy , was accepted by the Ren- aissance builders as an obvious and legitimate resource . There was nothing novel in the expedient . Its frequent recurrence ...
Seite 35
... builders of the Pitti Palace , as it had assisted the Etruscans before them . Probably the inspiration lay rather in the Etruscan tradition than in the material itself . Still , had the Florentine builders rested content with the Etrus ...
... builders of the Pitti Palace , as it had assisted the Etruscans before them . Probably the inspiration lay rather in the Etruscan tradition than in the material itself . Still , had the Florentine builders rested content with the Etrus ...
Seite 38
... builders . To ignore this rejoinder would be to fall into the common error of dogmatic criticism , and to neglect a large part of actual artistic experience . But it is a view of archi- tecture which the Renaissance builders , at least ...
... builders . To ignore this rejoinder would be to fall into the common error of dogmatic criticism , and to neglect a large part of actual artistic experience . But it is a view of archi- tecture which the Renaissance builders , at least ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole