The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 84
... argument would be strong , even if it were not logically conclusive . Admitting , then ( for the moment ) , that the description given of Greek and mediæval architecture is a fair one ; admitting , also , the Greek pre - eminence in ...
... argument would be strong , even if it were not logically conclusive . Admitting , then ( for the moment ) , that the description given of Greek and mediæval architecture is a fair one ; admitting , also , the Greek pre - eminence in ...
Seite 189
... argument . Yet I was unwilling to expand it , thinking the wood might not be seen for the trees . The argument is close ; but the book is short . And I myself would prefer , if need be , to read some things twice than to have read ...
... argument . Yet I was unwilling to expand it , thinking the wood might not be seen for the trees . The argument is close ; but the book is short . And I myself would prefer , if need be , to read some things twice than to have read ...
Seite 194
... argument ; beauty will depend on the spectator's ignorance of architecture Confusion here between knowing and feeling ; æsthetic perception more limited than intellectual perception * Moreover a complete intellectual perception would ...
... argument ; beauty will depend on the spectator's ignorance of architecture Confusion here between knowing and feeling ; æsthetic perception more limited than intellectual perception * Moreover a complete intellectual perception would ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole