The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 26
... antique ; none would dispute the inspiration of Vitruvius . For many the dictates of the Augustan critic have the validity of a papal deliverance upon a point of faith . Yet their efforts to give expression to this seemingly identical ...
... antique ; none would dispute the inspiration of Vitruvius . For many the dictates of the Augustan critic have the validity of a papal deliverance upon a point of faith . Yet their efforts to give expression to this seemingly identical ...
Seite 91
... antique . And this they did by basing their art frankly on the facts of perception . They appealed , in fact , from abstract logic to psychology . A similar defence may be entered for the Renaissance practice of combining the arch with ...
... antique . And this they did by basing their art frankly on the facts of perception . They appealed , in fact , from abstract logic to psychology . A similar defence may be entered for the Renaissance practice of combining the arch with ...
Seite 142
... antique : they applaud it ; but they say that in the early Renaissance the classic manner was imperfectly mastered , and that in the later Renaissance it was deliberately misused . They ap- prove Bramante and Palladio and the academic ...
... antique : they applaud it ; but they say that in the early Renaissance the classic manner was imperfectly mastered , and that in the later Renaissance it was deliberately misused . They ap- prove Bramante and Palladio and the academic ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole