The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 97
... Vitruvian laws or conformity with Palladian work -that we are to endure no more . ' 2 A new temper , it is clear , distinguishes this rhetoric from the criticism we have hitherto considered . The odium the- ologicum has entered in to ...
... Vitruvian laws or conformity with Palladian work -that we are to endure no more . ' 2 A new temper , it is clear , distinguishes this rhetoric from the criticism we have hitherto considered . The odium the- ologicum has entered in to ...
Seite 146
... Vitruvius . Scholarship set up the ideal of an exact and textual subservience to the antique ; Vitruvius provided the code : printing disseminated it . It is difficult to do justice to the force which this implied . The effective ...
... Vitruvius . Scholarship set up the ideal of an exact and textual subservience to the antique ; Vitruvius provided the code : printing disseminated it . It is difficult to do justice to the force which this implied . The effective ...
Seite 149
... Vitruvius , how little in the cu- riously dual nature of the Renaissance architect the zeal of the scholar was allowed to ... Vitruvian of all , admits the charm of novelty . These were the masters of the academic school . The other camp ...
... Vitruvius , how little in the cu- riously dual nature of the Renaissance architect the zeal of the scholar was allowed to ... Vitruvian of all , admits the charm of novelty . These were the masters of the academic school . The other camp ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture church civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius