The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
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Seite 41
... Romantic Movement is less conspicuous in the creation of architec- ture , the fallacies we shall trace to it are still abundantly present in its criticism . Romanticism may be said to consist in a high develop- ment of poetic ...
... Romantic Movement is less conspicuous in the creation of architec- ture , the fallacies we shall trace to it are still abundantly present in its criticism . Romanticism may be said to consist in a high develop- ment of poetic ...
Seite 42
... Romantic Movement of the nineteenth century dealt the final death - blow to the tradition of the Renaissance , yet that tradition , it must not be forgotten , was itself a romantic movement . The cult of mediævalism , stimulated by the ...
... Romantic Movement of the nineteenth century dealt the final death - blow to the tradition of the Renaissance , yet that tradition , it must not be forgotten , was itself a romantic movement . The cult of mediævalism , stimulated by the ...
Seite 191
... Romantic Fallacy The Renaissance too vigorously creative to form an ab- stract critical theory of architecture The Romantic Movement still further delayed the op- portunity of impartial criticism Nature of Romanticism Romanticism in ...
... Romantic Fallacy The Renaissance too vigorously creative to form an ab- stract critical theory of architecture The Romantic Movement still further delayed the op- portunity of impartial criticism Nature of Romanticism Romanticism in ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole