The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
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Seite 48
... style was consummated , and poverty of execution completed what poverty of design had begun . The antique , which Brunelleschi invoked , was now realised with full self - consciousness ; in the last stages of the Empire style the ...
... style was consummated , and poverty of execution completed what poverty of design had begun . The antique , which Brunelleschi invoked , was now realised with full self - consciousness ; in the last stages of the Empire style the ...
Seite 136
... style speaks as the scribes . A style has the right to be judged at its highest inspiration , yet , to be fully ... Empire style , and as imitative . The spirit of life which , in spontaneous gaiety , never fails to play upon the sunny ...
... style speaks as the scribes . A style has the right to be judged at its highest inspiration , yet , to be fully ... Empire style , and as imitative . The spirit of life which , in spontaneous gaiety , never fails to play upon the sunny ...
Seite 138
... Empire style the charge of decadence- though here more plausible - is not convincing . Here , in- deed , is displayed a preoccupation with a literary ideal that is never without menace to an art of form . Yet the forms of the style were ...
... Empire style the charge of decadence- though here more plausible - is not convincing . Here , in- deed , is displayed a preoccupation with a literary ideal that is never without menace to an art of form . Yet the forms of the style were ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole