The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 134
... Brunelleschi the herald , and Bramante the achiever , must come Bernini and the fall . Let us retrace the biologic myth . The period of Brunelleschi is tentative and immature - unskilled , but charming . This is true , in a sense , but ...
... Brunelleschi the herald , and Bramante the achiever , must come Bernini and the fall . Let us retrace the biologic myth . The period of Brunelleschi is tentative and immature - unskilled , but charming . This is true , in a sense , but ...
Seite 135
... Brunelleschi with Bramante , and this can only be done in so far as their styles are commensura- ble - in so far as they have purposes in common . We shall compare them with regard to their command of architec- tural space and logical ...
... Brunelleschi with Bramante , and this can only be done in so far as their styles are commensura- ble - in so far as they have purposes in common . We shall compare them with regard to their command of architec- tural space and logical ...
Seite 146
... Brunelleschi to- wards the stricter manner of Bramante , and to recall the libertinism of the seventeenth century back to the aca- demic yoke of Palladio . But other causes , still more powerful , were at work . Three influences , in ...
... Brunelleschi to- wards the stricter manner of Bramante , and to recall the libertinism of the seventeenth century back to the aca- demic yoke of Palladio . But other causes , still more powerful , were at work . Three influences , in ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole