The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 132
... Bramante and of Raphael . It is much more sure of itself ; its aim is clearly defined and supremely achieved . The tentative Brunelleschian charm has vanished , and a more assured and authoritative manner has taken its place . Here , as ...
... Bramante and of Raphael . It is much more sure of itself ; its aim is clearly defined and supremely achieved . The tentative Brunelleschian charm has vanished , and a more assured and authoritative manner has taken its place . Here , as ...
Seite 134
... Bramante the achiever , must come Bernini and the fall . Let us retrace the biologic myth . The period of Brunelleschi is tentative and immature - unskilled , but charming . This is true , in a sense , but already it is not ex- actly ...
... Bramante the achiever , must come Bernini and the fall . Let us retrace the biologic myth . The period of Brunelleschi is tentative and immature - unskilled , but charming . This is true , in a sense , but already it is not ex- actly ...
Seite 135
... Bramante , and this can only be done in so far as their styles are commensura- ble - in so far as they have purposes in common . We shall compare them with regard to their command of architec- tural space and logical coherence , and ...
... Bramante , and this can only be done in so far as their styles are commensura- ble - in so far as they have purposes in common . We shall compare them with regard to their command of architec- tural space and logical coherence , and ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved actual æsthetic appear archi architects argument attempt baroque beauty becomes building cause century character classic confused consequences construction criticism delight detail direct distinct effect elements essential ethical example exist experience expression fact Fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence instinct intellectual interest Italy laws less lines literary logic mass material means mechanical ment mere merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preferences present principle problem proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand structure style suggested taste tecture theory things thought tion tradition true ture whole