The Power of One: The Solo Play for Playwrights, Actors, and DirectorsHeinemann, 2000 - 233 Seiten Read an interview with Lou Catron! The one-person play has a long and distinguished history, as well as being (a) one of the most economical forms of theatre and (b) a wonderful showcase for an actor, a playwright, and a director-especially when all three are the same person! Dean of American playwriting texts, Louis Catron offers an outstanding guide for playwrights, actors, and directors who are interested in working in this form. He demonstrates techniques of writing, acting, and directing that encourage the reader to create a personal theatrical experience. Among the special qualities in the book are:
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Inhalt
CHAPTER | 19 |
CHAPTER THREE | 51 |
CHAPTER FOUR | 64 |
Urheberrecht | |
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The Power of One: The Solo Play for Playwrights, Actors, and Directors Louis E. Catron Keine Leseprobe verfügbar - 2009 |
Häufige Begriffe und Wortgruppen
achieve acter acting action actor actor and director actress Anna Deavere Anna Deavere Smith Anna Mae aspects audience audience's beginning blocking called char character's objective conflict Cosmos create creative credo dialogue Dickens dimensional director and actor dramatic dreams dynamic effective emotions Eric Bogosian example exercises focus French Fries French scene goal Harper Lee Holbrook human imagination inciting incident insight Jane Martin Joyce Grenfell kinna kinna guy Krapp's Last Tape Lanford Lanford Wilson Lily Tomlin look major Mark Twain Mark Twain Tonight McDonald's Mike monodra monodrama monodramatists motivated multicharacter plays musical Nice Shoes obstacles one-person play one-person show pause play's playwright playwriting plot point of attack production questions rehearsals rituals Ruth Draper says script short-short significant soliloquies solo character solo performers solo play Sonny Sonny's Spalding Gray stage stimulate story storytelling techniques theatre artists theatre's tion Twirler vision vocal Wilson write York