The English LyricConstable, 1913 - 335 Seiten |
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... means least , I record with pleasure the courteous and always capable supervision of Pro- fessor W. A. Neilson , the general editor of this series . UNIVERSITY OF PENNSYLVANIA , January , 1913 . F. E. S. CONTENTS I. DEFINITIONS • II ...
... means least , I record with pleasure the courteous and always capable supervision of Pro- fessor W. A. Neilson , the general editor of this series . UNIVERSITY OF PENNSYLVANIA , January , 1913 . F. E. S. CONTENTS I. DEFINITIONS • II ...
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... means to an ulterior end and is destroyed in the very moment of its birth . Unity of subject requires a certain degree of brevity and the elimination of most of the elements which other varieties of verse possess in common with prose ...
... means to an ulterior end and is destroyed in the very moment of its birth . Unity of subject requires a certain degree of brevity and the elimination of most of the elements which other varieties of verse possess in common with prose ...
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... means of this diffusion of the " courtois " lyric northward . As the daughter of William of Poitou , " the father of the trouba- dours , " this cultivated lady presided over the court at Bordeaux , extending a bountiful and encouraging ...
... means of this diffusion of the " courtois " lyric northward . As the daughter of William of Poitou , " the father of the trouba- dours , " this cultivated lady presided over the court at Bordeaux , extending a bountiful and encouraging ...
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... means are all of these poems erotic ; besides those celebrating good fellowship , there are hunting songs , gnomic verses , a few devotional poems , especially specimens of the lullaby , and even lines breathing the patriotic spirit ...
... means are all of these poems erotic ; besides those celebrating good fellowship , there are hunting songs , gnomic verses , a few devotional poems , especially specimens of the lullaby , and even lines breathing the patriotic spirit ...
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... means confined merely to lyrical poetry ; for there was the famous Mirror for Magistrates , a collection of elegiac historical narratives in verse , and there were books such as England's Parnassus and Belvedere or the Garden of the ...
... means confined merely to lyrical poetry ; for there was the famous Mirror for Magistrates , a collection of elegiac historical narratives in verse , and there were books such as England's Parnassus and Belvedere or the Garden of the ...
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A. E. Housman admirable anthologies Arnold artistic Ballads beauty Blake Browning Burns Byron Carew Celtic revival century Charles charming classical Clough Coleridge conceit contemporary Cowley Crashaw critic death diction Donne drama Dryden E. K. Chambers earlier elegiac Elizabethan emotion England English lyrical English poet English poetry Essays example exquisite famous feeling Fiona Macleod Francis Thompson Herrick ideals inspiration Irish Italian Jonson Keats King later less literary literature lyrical poetry lyrists Matthew Arnold medieval metrical Milton narrative nature Oxford Oxford Movement passion pastoral Petrarch poems poet poet's poetic Pope popular praise pre-Raphaelite prose religious revival rime romantic Rossetti satire sense sentiment Shakespeare Shelley Sidney sincere sings song sonnet Spenser spirit stanza Swinburne Symons taste Tennyson theme things Thomas thou thought tion touch trouvère vers de société verse Victorian vols volume Waller William words Wordsworth Wordsworthian writing wrote Wyatt
Beliebte Passagen
Seite 63 - Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground. And yet, by heaven,...
Seite 79 - It is not growing like a tree In bulk doth make man better be; Or standing long an oak, three hundred year, To fall a log at last, dry, bald, and sere: A lily of a day Is fairer far in May; Although it fall and die that night, It was the plant and flower of light. In small proportions we just beauties see, And in short measures life may perfect be.
Seite 123 - The seas are quiet when the winds give o'er; So calm are we when passions are no more. For then we know how vain it was to boast Of fleeting things, so certain to be lost. Clouds of affection from our younger eyes Conceal that emptiness which age descries. The soul's dark cottage, battered and decayed, Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home.
Seite 209 - With wide-embracing love Thy spirit animates eternal years, Pervades and broods above, Changes, sustains, dissolves, creates, and rears. Though earth and man were gone, And suns and universes ceased to be, And Thou were left alone, Every existence would exist in Thee.
Seite 89 - Ah Ben! Say how or when Shall we, thy guests, Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun ; Where we such clusters had, As made us nobly wild, not mad? And yet each verse of thine Out-did the meat, out-did the frolic wine.
Seite 154 - Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed— and gazed— but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward...
Seite 161 - THE OLD FAMILIAR FACES. I have had playmates, I have had companions, In my days of childhood, in my joyful school-days ; All, all are gone, the old familiar faces. I have been laughing, I have been carousing, Drinking late, sitting late, with my bosom cronies ; All, all are gone, the old familiar faces.
Seite 47 - With coral clasps and amber studs: And if these pleasures may thee move, Come live with me, and be my love.
Seite 79 - Still to be neat, still to be drest, As you were going to a feast ; Still to be powdered, still perfumed: Lady, it is to be presumed, Though art's hid causes are not found, All is not sweet, all is not sound. Give me a look, give me a face; That makes simplicity a grace ; Robes loosely flowing, hair as free : Such sweet neglect more taketh me, Than all the adulteries of art ; They strike mine eyes, but not my heart.
Seite 6 - The glories of our blood and state Are shadows, not substantial things. There is no armour against fate ; Death lays his icy hand on kings : Sceptre and crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade.
Verweise auf dieses Buch
Poetry, Enclosure, and the Vernacular Landscape, 1700-1830 Rachel Crawford Keine Leseprobe verfügbar - 2002 |