Stanislavski and the ActorMethuen Drama, 1998 - 154 Seiten Using notes made by Stanislavski's assistants, exercises and improvisations used in class, transcripts of Stanislavski's own master classes (translated here into English for the first time) and his knowledge of Stanislavski's earlier writings, Benedetti builds up a comprehensive description of the 'system' in contemporary language that is easy to understand by today's actors and teachers. He also shows that Stanislavski's revolutionary teachings about acting still have wide application now. |
Inhalt
Part | 1 |
Part Three | 103 |
Stanislavskis Master Classes on Hamlet | 131 |
Urheberrecht | |
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Stanislavski and the Actor: The Method of Physical Action Jean Benedetti Eingeschränkte Leseprobe - 2013 |
Stanislavski and the Actor: The Method of Physical Action Jean Benedetti Eingeschränkte Leseprobe - 2013 |
Häufige Begriffe und Wortgruppen
acting actors adaptations appear Attention Basic become begin behaviour body called chair character Circle circumstances clear close communication concentration create creative death decide defined describe detail develop Emotion Episode establish everything example experience express fact father feelings focus four give given Hamlet hands happened Iago images imagine improvisation inner kind King leave logical look matter means Memory mental Method mind mother move nature notes object observe pause performance person Phase Physical Action play Polonius position present problem produce question rehearsal scene sequence sitting situation someone speak stage Stanislavski student STUDIO EXERCISES Supertask Tasks tell Tempo-rhythm theatre thing thoughts train turn understand waiting walk whole write