The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 3
Seite 107
... tural pleasure will be in the functions of the structural elements themselves . It is in this vivid constructive significance of columns and arches that their archi- tectural beauty lies , and not simply in their colour and shape , as ...
... tural pleasure will be in the functions of the structural elements themselves . It is in this vivid constructive significance of columns and arches that their archi- tectural beauty lies , and not simply in their colour and shape , as ...
Seite 112
... tural vividness would have been sacrificed . not , therefore , from any disregard of the essential constructive or functional significance of architectural beauty that he so designed the great dome , but , on the contrary , from a ...
... tural vividness would have been sacrificed . not , therefore , from any disregard of the essential constructive or functional significance of architectural beauty that he so designed the great dome , but , on the contrary , from a ...
Seite 221
... tural form seems manifold . Can one such principle explain it ? A full answer to this question is perhaps only to be earned in the long process of experiment and verification which the actual practice of archi- tecture entails . How ...
... tural form seems manifold . Can one such principle explain it ? A full answer to this question is perhaps only to be earned in the long process of experiment and verification which the actual practice of archi- tecture entails . How ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius