The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 91
... thought . Formality furnishes its own theme and makes lucid its own argument . ' Formal ' architecture is to the ' picturesque ' as the whole body of musical art to the lazy hum and vaguely occupying murmur of the summer fields . All ...
... thought . Formality furnishes its own theme and makes lucid its own argument . ' Formal ' architecture is to the ' picturesque ' as the whole body of musical art to the lazy hum and vaguely occupying murmur of the summer fields . All ...
Seite 96
... thought , the nature of value was being more or less confused with the means by which it is pro- duced . Now , although the movement of thought we have just described was in no way allied to the Romantic , and may even , in a measure ...
... thought , the nature of value was being more or less confused with the means by which it is pro- duced . Now , although the movement of thought we have just described was in no way allied to the Romantic , and may even , in a measure ...
Seite 204
... thought , and not of mere ignorance or vain ' originality . ' But deviations , sanctioned by thought and satisfying the eye , are the sign of a living art ; and the cult of ' correctness ' is only to be supported on the assumption that ...
... thought , and not of mere ignorance or vain ' originality . ' But deviations , sanctioned by thought and satisfying the eye , are the sign of a living art ; and the cult of ' correctness ' is only to be supported on the assumption that ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius