The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 49
... style was consummated , and poverty of execution completed what poverty of design had begun . The antique , which Brunelleschi invoked , was now realised with full self - consciousness ; in the last stages of the Empire style the ...
... style was consummated , and poverty of execution completed what poverty of design had begun . The antique , which Brunelleschi invoked , was now realised with full self - consciousness ; in the last stages of the Empire style the ...
Seite 55
... styles ' Christian ' and ' un - Christian ' ; one ' style ' is suitable to museums and banks and cemeteries ; another to colleges and churches ; and this not from any architectural requirements of the case , but from a notion of the ...
... styles ' Christian ' and ' un - Christian ' ; one ' style ' is suitable to museums and banks and cemeteries ; another to colleges and churches ; and this not from any architectural requirements of the case , but from a notion of the ...
Seite 187
... style . It lacks the originality , and it lacks the fitness of a style which springs unconsciously to suit a present need , as the medieval style sprang to suit monastic or civic institutions , or as the classic styles themselves ...
... style . It lacks the originality , and it lacks the fitness of a style which springs unconsciously to suit a present need , as the medieval style sprang to suit monastic or civic institutions , or as the classic styles themselves ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius