The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
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Seite 23
... stand committed to none . This space , and this patronage , the papacy was fitted to provide . The rivalry of successive popes , their diverse origins and sympathies , their common passion to leave behind them an enduring monument of ...
... stand committed to none . This space , and this patronage , the papacy was fitted to provide . The rivalry of successive popes , their diverse origins and sympathies , their common passion to leave behind them an enduring monument of ...
Seite 119
... stand in relation to one another , but not in a fixed relation . Some structural expedi- ents , though valid technically , are not valid æstheti- cally , and vice versa . Many forces which operate in the mechanical construction of a ...
... stand in relation to one another , but not in a fixed relation . Some structural expedi- ents , though valid technically , are not valid æstheti- cally , and vice versa . Many forces which operate in the mechanical construction of a ...
Seite 227
... stand , project our- selves into them , fill them ideally with our movements . Let us take the simplest of instances . When we enter the end of a nave and find ourselves in a long vista of columns , we begin , almost under compulsion ...
... stand , project our- selves into them , fill them ideally with our movements . Let us take the simplest of instances . When we enter the end of a nave and find ourselves in a long vista of columns , we begin , almost under compulsion ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius