The Architecture of Humanism: A Study in the History of TasteConstable, 1947 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 31
Seite 95
... scientific age ; and Flaubert , who gave it currency , was an essentially scientific artist . But the fine arts employed their autonomy only to demonstrate their complete subservience to the prevailing scientific preoccupation . Each ...
... scientific age ; and Flaubert , who gave it currency , was an essentially scientific artist . But the fine arts employed their autonomy only to demonstrate their complete subservience to the prevailing scientific preoccupation . Each ...
Seite 100
... scientific ' answer to the first of these questions ; let us see where it leads us , and if it leads us into difficulties , let us modify it as best we can , in accordance with the scientific point of view . ' Architecture , ' such ...
... scientific ' answer to the first of these questions ; let us see where it leads us , and if it leads us into difficulties , let us modify it as best we can , in accordance with the scientific point of view . ' Architecture , ' such ...
Seite 117
... scientific assailant refuses to admit the distinction between knowing and feeling to be important , and claims for to this it seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies ...
... scientific assailant refuses to admit the distinction between knowing and feeling to be important , and claims for to this it seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies ...
Inhalt
INTRODUCTION I | 1 |
RENAISSANCE ARCHITECTURE | 15 |
THE ROMANTIC FALLACY | 37 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction criticism of architecture cult decorative delight distinction dome effect elements Empire style essential ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual interest Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius